Since filming once again at the weekend we have been able to really add a new level of distinction to the meta narrative of Loyle Carner and have been able to display an understanding of technical aspects including the relationship between lyrics and video to make it clear the narrative of the video, a relationship described essential by Dyer.
Also in terms of after effects I have now made the decision to edit in After Effects as opposed to Fusion 8.1. I had to overcome many obstacles such as with tracking the points of each side of the box. Due to the fact the initial shot was filmed on a train, the shot wasn't very steady which made tracking the points very complex and difficult to do. Instead, on After Effects, I have taken a high resolution photograph of the same boxes instead off using the video, this has therefore reduced the astigmatism of the instability on the camera completely obviously because the image doesn't move anymore. This has made it easier to corner pin the photographs to the boxes and has overall made it look much more professional as it is more clear and less 'fuzzy'. In terms of making the process look realistic and real. I have added a zoom in varying speeds throughout the process to make the jump look interfered with almost, such as it would be on a train. In addition to this, I have also added a wiggle to connote the fact the camera is handheld and is dealing with turbulents of the trains journey helping to make the segment appeal more pragmatic and logical.
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