Group: Question 3

Group: Final Cut

We have made some changes since the previous rough cut, such as changing the grading on some of the shots. Also in the last edit there was a serious issue with the sound, the bass was distorted, since then we have changed some of the sound settings and made it back to normal. Transitions where another thing on our to do list from the previous rough cut, this has enabled us to change some of the transitions to give it a disjunctive feel where it cuts on the beat jumps around creating a strong feel to the video overall.

Group: Advert final piece

Group: Digipack final piece

O.C-Progress Update

During this weeks lesson I have been working on the print work, with me taking up the role of working on the back of the digipak in Photoshop. I started off with the original photo, with the end product needing to be distorted. I took four different sections from the original which I would edit in a variety of ways. 4 different styles were used to edit the different sections, 1 was changed to black and white, 1 I changed the opacity and enlarged, another i changed the opacity and enlarged and the final one was changed to negative in black and white which made the end result white.

JB: Inspiration for Shoot 4

Since our last shoot, we believe the production has really started to come together as we took inspiration from lip syncing shots from Loyle Carners' latest release 'The Isle of Aaron', which really gave an insight into a final and decided meta narrative which related between breaking the fourth wall with realistic features mentioned by Dyer and also the unrealistic and idolistic shots where the charterer pretends the camera inst really there.

We were inspired by Loyle Carners newest single of 'The Isle of Aaron', as it presented examples of camera angles such as close ups, conveying emotion, as well as exploring techniques such as the rule of thirds where the character is placed off center. 

LH: Progress Update

Since completing our most recent rough cut where all the shots are on the timeline and in the right place, we have targeted the use of transitions aiming to make the footage flow as much as possible and work with synaesthesia with the beat of the track. Also we have looked at the printwork, setting the aim of completing this over the next couple of days, this job involves distorting the images we have to the most effective level, as well as this we have to create a new album from scratch, this means that we will have to make up a track list for the album altogether, we will have to link these to the meta-narrative of Loyle Carner to make the best digipack as possible.